Tag: paradoxes purposes and ponderances

Following my passion? I might surprise you.

Urban Dilemmas - Digital Art by BZTAT
“Urban Dilemmas” Digital Art by BZTAT

Many creative people in mundane jobs dream of quitting and following their creative passion. You may think I was one of them. But really, it did not happen in the way that you would expect.

I never really dreamed of being a full-time artist. Well, OK, I might have done that back when I was in art school and the first 6 months of post academic reality. But truly, I had a stronger passion than being an artist. I had a passion for making a difference in my world in a way that was essential somehow.

My first 6 months of post academic reality showed me that I did not have the artistic or personal maturity to make a difference in a way that felt essential through my art. So I went back to school and became a counselor for children and families affected by serious emotional problems. I then spent 20 years making a difference by helping people improve their lives and by advocating for systemic changes on their behalf.

After 20 years, though, I felt myself slipping. I was losing battles to cultural changes that were out of my control. Suddenly behaviors that once were considered “disordered” were commonplace among all youth. Parents were resisting taking responsibility for parenting roles. And funding limitations were leading to bad policies and service cuts from agencies more concerned with their own survival than they were with helping people.

I no longer felt that I was helping in an essential way.

As this evolution was occurring, my creative passions were becoming more of a force in my life. I began to blog on some political websites and I became involved in political dialogs and movements. I protested the Iraqi War before it was cool to do so. I created artworks that were very political and somewhat harsh to express my inner dialog about changes going on in my world in a visual manner.

I eventually moved away from the general political discourse, and my artwork returned to more pleasant themes, but I continued with my passion for making change in the world. My move to the Canton Ohio Arts District was following my passion to create change in my community. I was inspired by Robb Hankins, new CEO of Arts in Stark, to create community change through the arts.

I quit my job as a counselor because a tension grew between the private nature of the counseling relationship and the very public nature of being an emerging artist helping to grow the local art scene. It was obvious to me that the artistic passion, and the passion for making a difference through my art was eclipsing my role as a counselor. It has been a very uneasy financial choice, but it was one I had to make.

And we did it! We built a FABULOUS arts district that has become the centerpiece of the city!

Except for one thing…The Albatross.

What seemed like a good idea at the time has turned into a real challenge to the sustainability of the arts district. A call center business purchased the building directly across the street from my building, and they have rapidly increased their workforce in a way that has created significant problems for the residents and other businesses downtown.

It seemed like a good idea to bring the jobs and growing business to an empty building. But it was soon evident that the building itself, parking resources, and city services were totally inadequate for the large increase of people, many whom have highly unprofessional behaviors. All of this was thrust upon a very vulnerable community that was just getting its creative legs.

The call center jobs are not high income ones, and they have drawn a work force that is full of people who behave in a manner consistent with the behaviors of the wayward youth I use to counsel. The behaviors are basically going on unchecked all the time.

Loitering, parking, employees’ smoking, poor security and traffic jams have made it a huge challenge to remain positive about the district. All of the problems I shared in this post in May have grown exponentially.

The fact that these problems have grown steadily over the past year have put a huge strain on the downtown businesses. It has affected me personally and professionally, as I cannot escape it. I live and work across the street from this constant and disruptive commotion.

To say that it has affected my psyche is putting it mild. I have gone from anger and frustration to complete pessimism to wanting to escape at all costs back to optimism and then back down again. I am quite often miserable, and my attitude is frequently negative. I really despise feeling this discouraged.

Prompted by the company’s public celebration of hiring their 1000th employee, that old passion to make a difference in my world arose in me again. I wrote a letter to the editor to my local paper, and I spoke out at my City Council’s meeting about the lack of attention to the problems facing downtown businesses and residences.

To my surprise, I got a response. My pessimism leaves me wondering if it will truly make a sustainable difference, but I have to at least try. I am meeting with the President of City Council next week, and I received a phone call from the Operations Director of the Company. A renewed urgency to correct the problems has been voiced. We will see if it is followed by action.

The Canton Arts District arose somewhat organically with some planning, but with more of a “lets throw it all out there and see what sticks” mentality. Private entities led the effort with the city government looking the other way. Not having the City as a partner all along seems to have been a flaw in the development, looking at it in restrospect.

If you are a part of a similar effort in your community, take heed. One choice could potentially derail your whole train.

I am hoping that we can get our train back on the track. I will let you know how it all rolls.

Life is an Adventure!

BZTAT

How can I keep from painting?

Dancing Spirits and Hearts drawing by BZTAT
“Spirits Dance” Drawing by BZTAT

There are so many troubling things in our world, it is hard sometimes to remain positive. As an artist, I know that everything I create exists against the backdrop of cultural strife and struggle that is in my world.

It is hard sometimes to remember that it is not all bad in our culture. Beauty and joy sometimes come to us with a whisper or other subtle communications, while ugliness and pain come with dramatic noise.

My artworks do not necessarily reflect cultural events. Yet they contribute to culture by bringing something positive into the world that counterbalances all the negative influences that prevail.

Words and musical mysticism by the musician Enya bring me some peace as I contemplate the pain that has screamed at me from the headlines this week.

And I ask myself, how can I keep from painting?

 

How Can I Keep From Singing – Enya

My life goes on in endless song

Above earth’s lamentations,

I hear the real, though far-off hymn

That hails a new creation.

 

Through all the tumult and the strife

I hear it’s music ringing,

It sounds an echo in my soul.

How can I keep from singing?

 

While though the tempest loudly roars,

I hear the truth, it liveth.

And though the darkness ’round me close,

Songs in the night it giveth.

 

No storm can shake my inmost calm,

While to that rock I’m clinging.

Since love is lord of heaven and earth

How can I keep from singing?

 

When tyrants tremble in their fear

And hear their death knell ringing,

When friends rejoice both far and near

How can I keep from singing?

 

In prison cell and dungeon vile

Our thoughts to them are winging,

When friends by shame are undefiled

How can I keep from singing?

 

..

What is it like to be an artist? Essential.

Artist BZTAT in 1985 at Marshall University
Artist BZTAT in 1985 at Marshall University

I graduated from Marshall University in 1984 with a Bachelor of Fine Arts degree in Painting and Printmaking. I received a Master of Arts degree in Painting and Printmaking a year and a half later. (Yep, I had big hair back then.)

I took off into the world with lofty ideas of  being an “Art for Art’ Sake” kind of artist in the hopes of being on the cover of Art in America someday.

fail whaleAnd I flopped. Big time.

We didn’t have the Fail Whale image or Twitter back then, but the image would have worked for me.

At the time as I was miserable, but it was probably one of the most important experiences of my life.

I quickly realized that I was not cut out to be a full time artist – at that time, anyway.

I had no experience or know-how in marketing or making business decisions for making art my career then. In fact, my art professors had strongly discouraged me from developing any such skills. To do so would have disrupted the purity of my artistic intent, I was told.

There were other reasons for my failure, though.

I believe that I failed because I was not prepared to do something for a career that seemed self-indulgent to me. Although I firmly believed then, and still do now, that art is essential and important to our world, it did not seem essential enough to me to build a career around – at that time anyway.

I felt a sense of responsibility to contribute to my community and my world in a way that was more essential in the sense of life saving and world changing, and creating abstract paintings as I was doing at the time just did not cut it for me.

Neither did working minimum wage low-skill jobs when I had 2 degrees.

I went back to school and received a Masters degree in Counseling in 1991.  I then embarked on a 20 year career as counselor for families and children. I continued to create artwork, but it was not my career.

Counseling families and children facing trauma and other forms of emotional pain seemed more essential and important in the grand scheme of things. Although counseling was never a high paying job, it did allow me to live sufficiently, and I felt that I was contributing in an important way.

Over time, I grew to be disenchanted with the social services field, however. I found that organizations established to “help” people often were challenged with making decisions based more on their own survival than on the needs of their clients. I railed against it, and ended up changing jobs a lot.

I was always looking for a place with a consistent emphasis on both  integrity and high quality services. I never found it.

I began to put more energy into my artwork around 1999, and by 2009, It was becoming more of a career for me.

After September 11, 2001, art began to feel more essential to me, as I felt a strong compulsion to contribute to my world through expression. I had always been a philosophical sort of person, and 9/11 brought out that side of me in a new way.

I now focus primarily on painting portraits of pets, and have found that surprisingly healing and, yes, essential, for those who commission me to paint their animals.

I recently was commissioned to paint a portrait of a cat that had been hit by a car a week earlier. The distraught pet owner told me in an email, “I really think the painting is going to give me a lot of comfort. Talking with you and thinking about the painting has given me comfort already.”

What is more essential than that?

I think that I had to live a life of essential experiences before painting as a career felt right to me.

Although I look forward to a continued life of  essential experiences, I think that it is a life that fits me now.